Hasn’t this week been a big one for the discussion of what has happened to fatshion? This discussion is a very good thing, and mostly it has actually been discussion, rather than drama.
That said, there are two assumptions/perceptions that I really want to address today in this post:
1) That fatshion has been consumed by the corporate, that it has been branded and marketed out of all power.
2) That fatshion is inaccessible to people who do not have things like a fancy camera, access to designer brands, high profile status, the ability to travel, or influential contacts.
Before I address these two things, I want to acknowledge that high profile plus-size fashion visibility is most definitely white, smaller fat (14-18), young, cis-gender, heterosexual, able bodied and affluent. Hell yes, the freebies, the plum gigs in the industry, the advertising money, and the popularity go to those with privilege. We need more diversity in plus-size fashion. We need more women of colour, we need more variety in size and shape of fat women in plus-size fashion, we need older women, we need variance of gender and sexuality, we need visibility of people with disabilities and indeed, most plus-size fashion is expensive and inaccessible to those without ready disposable income. Absolutely.
But answer me this… isn’t ALL fashion guilty of these things? Isn’t the entire fashion industry, regardless of size, guilty of these things at a base level? Plus-size fashion companies are mirroring the EXACT thing that happens in straight-size fashion. The entire industry needs revolutionising, for no other reason that like all of society, it favours the privileged. A young, white size 16 woman in fashion may not be radical anymore, but it is radical that we have shifted the boundaries to the point that they are no longer considered radical.
What I believe, is that fatshion is not the same thing as the plus-size fashion industry. They intersect of course, but the reality is that the plus-size fashion industry is not fully serving the fatshion community (or just the general fat community) to meet it’s need. That brings me to my first point above:
1) That fatshion has been consumed by the corporate, that it has been branded and marketed out of all power.
We are seeing a slight shift in the world of plus-size fashion. It’s not a radical one at all, but it is a shift. Young, attractive women bloggers over a size 14 are starting to get noticed by the plus-size fashion industry. In fact they’re starting to get noticed by the fashion industry in general. Names like Gabi Gregg and Nicolette Mason are turning up in mainstream fashion arenas. Models like Teer Wayde, Fulvia Lacerda and Lizzie Miller are being featured in mainstream magazines. We are seeing an interest in women with bodies outside of the traditional modelling and fashion size range (which is obscenely narrow – pun not intended) across the board.
But that’s not the reality of fatshion for the vast majority. Gabi, Nicolette, Teer, Fulvia, Lizzie and others like them are making amazing careers for themselves in an industry that until now has otherwise excluded them. They are doing something that very few people get to do, and I believe should be celebrated for doing so. But they are working in the fashion industry. Fatshion is not about working in the fashion industry, it is about every day fat women engaging in dressing themselves with care and pride, despite a world that tells them they are not entitled to do so. Yes, these women definitely do that, it is possible to engage in fatshion while working in the fashion industry. But we should not be holding them as a standard that all fat women should aim for by engaging in fatshion. Realistically, there is only ever going to be a tiny, elite few who get to do that.
Fatshion is not the same thing as the fashion industry.
What is amazing about these women is that they are pushing the boundaries of what the fashion industry means. A mere two years ago, these women were struggling to be seen, to progress in their careers. They’ve worked hard to get where they are and they have been propelled by fatshion, both directly and indirectly. By engaging in fatshion themselves, they have become visible in an industry that almost always renders women over a very small size range invisible. It has made them stand out in an industry that is pretty bland really. However, fatshion in general has also had it’s role in propelling these women into an industry. The snowball effect of more and more people engaging in fatshion and visibly interested in style, clothes, accessories and expressing ourselves through those things has meant that it empowers others to do so as well. This then rolls on to the money spent in the fashion industry. The fashion industry notices this change, and then responds by trying to make more money by cashing in on this expanding marketing. It’s the nature of the beast. The more visible those of us on the fringes are the more the boundaries are pushed. The more we make it clear that we care about where we spend our money, and that we will spread word of mouth, both positive and negative, the more the fashion industry tries to cash in on us.
Fatshion has not been consumed, nor is it powerless. The boundaries of the fashion industry have simply shifted slightly to include a tiny few more. Fatshion’s job is not over, nor will it ever be. Someone is always going to be marginalised, and it’s our power to use fatshion to constantly push, stretch and pull those margins to include more and more people. Fatshion is powerful and valuable. I wouldn’t be here today if it wasn’t for fatshion, and my engaging in fatshion is often what opens the doors for people to come and investigate my activism.
This brings me nicely to the second point above:
2) That fatshion is inaccessible to people who do not have things like a fancy camera, access to designer brands, high profile status, the ability to travel, or influential contacts.
There seems to be this perception that the only people engaging in fatshion are those like the aforementioned high-profile women. That fatshion is somehow closed to everyday people. If you think that’s what fatshion is about, I say you’re not looking hard enough. The vast majority of fatshion bloggers are people with everyday lives. Jobs, families, commitments and restrictions are all present in most fatshion blogger’s lives. Again, fatshion is not about being directly involved in the fashion industry. Fatshion is about participating in something otherwise denied to fat women. It is about visibility, celebration and creativity.
The assumption that engaging in fatshion requires the best of everything, or the most privileged of people, is erroneous. Otherwise I wouldn’t engage in it myself, at 40 years old and size 26AU and beyond, using my phone to take photos in the bathroom mirror at work, and shopping on a $25 per week clothing budget (sometimes less). I’m not even a fatshion blogger, one doesn’t have to be to engage in fatshion. I use my fatshion as one of the aspects of my activism, to change how people think about how fat women present themselves and how we should look.
When I look through my Fatshion folder in Google Reader, I see so much more than just a few high profile plus-size women in the fashion industry. I see canny thrift shoppers, skillful re-stylers, talented crafters, and most practice a make-it-work philosophy. I see a smattering small-time designers creating amazing things for women with bodies like their own. I see photographs taken on smart phones, budget digital cameras, webcams and borrowed cameras. I see single Mums, carers, women who work from home. I see bloggers who work long hours in regular jobs, some who have several jobs. I see some who have continued through illness, injury, unemployment and tragedy. I see etsy hunters and eBay stalkers. I see swappers, sharers and sellers. I see those who take fatshion to an artform, living their lives as works of art. I see women of colour, women with disability, a rainbow of gender variations and sexualities. I see women of all ages, from those fresh out of high school through to those with “advanced style”. I see every size from 16 through to beyond what is available commercially in plus-sizes. I see high fashion, high art and popular culture interspersed with alternative style, radical looks and vintage kitsch. I seldom see high end designer pieces, but I see vintage, budget mass produced and hand-made all used with personal flair and creativity.
This is what fatshion means to me. While I admire the few who have made it into the mainstream fashion industry and continue to push it’s boundaries, they’re not what I take my inspiration from. They’re not why I take pleasure in fatshion myself, and not how I use fatshion as activism.
Fatshion is so much more than mainstream fashion up-sized to fit a size 16 or 18. Fatshion belongs to us, not to the fashion industry. Fatshion will always be outside the margins, and will always be radical. Fatshion belongs to here and now, not the past. Fatshion is about finding your own style and rocking the hell out of it, flying in the face of a world that tells us we should never be seen.